Fine Art Restoration and Conservation

One of our specialties at Four Corners Gallery is fine art restoration for your sentimental pieces on paper. While we can do this digitally through our Photo Restoration services, it’s not your only option. The inherent nature of an original is better served by being properly treated and repaired rather than reproduced when possible. Restoration can be stunningly transformative in returning a piece to the initial beauty of its creation.

Poor environmental conditions, inferior or non-conservation framing materials, mishandling, and a variety of mishaps are some reasons damage can occur. These problems detract from both your enjoyment of the piece and its value. We work closely with professional paper conservators who will clean, flatten, remove tape and adhesive residue, patch and stabilize tears, and replace missing pigment and paper. Not only will your restored work look nicer, it will also be conserved, halting further damage that may occur as a result of the paper’s natural properties. Additionally, restoration can return value lost from damage that keeps it from being considered in mint condition.

No matter how obscure or damaged, don’t give up on your piece. Check out our website for a complete list of damage that we commonly see and can remedy.

Below are some examples of works we have been privileged to assist our clients in restoring.

 

Picasso

Clearly, a Picasso can hold quite a bit of value.

Fine art restoration

This collector wanted to maintain their investment in this lithograph which had been damaged by the use of non-conservation framing materials, including regular glass. The original, acidic, paper matboard and cardboard backing added to the darkening in the form of acid burn. Poor mounting tape selection left behind residue. The use of a non uv-filtering glass caused the paper to lighten in the area not covered by the matting.

Fine art restoration

After a stint with the paper conservator the contrast from before to after is quite remarkable.

Fine art restoration

Fine art restoration

 

The Goal Line Stand by Daniel Moore

Our client was thrilled to uncover a 1979 Sugar Bowl limited edition print by the famous Daniel Moore at a garage sale. Unfortunately, there was extensive damage. The conservators were not only able to rid the artwork of the stains and water damage but also repair the tears.

Fine art restoration

 

Golden Gate Bridge Watercolor

This watercolor of the Golden Gate Bridge held quite a bit of sentimental value for our client. So, when a storm caused extensive damage to their home, it was imperative this very special piece be restored.

Fine art restoration

 

As you can see, water, dirt and mold stained the edges and broken glass punctured holes into the center.

Fine art restoration

While a bit of staining remains after the restoration, the mold was eradicated and the punctures were flattened and essentially eliminated. There are occasions, like this one, when a “bath” cleaning cannot be performed because there’s too much risk to sensitive ink or paint that may run or wash away.

Fine art restoration

 

Parting Day

This etching is a great example of the power of paper restoration. Many years ago frames were backed with wooden panels which we now know to be extremely acidic. When we removed the backing we discovered extensive damage to the paper: severe acid burn, a large tear, and foxing (unsightly brown spots caused by corroding particles). This etching is a Chine-collé which means it was printed on a thin tissue and mounted to a larger piece of thicker paper. In order to properly clean and restore the work, the tissue was lifted from the backing paper, both layers were cleaned, and the tissue was remounted.

Fine art restoration

,Below you can see the astounding difference a cleaning and restoration can make.

Fine art restoration

Has a special piece you own been damaged? Please contact us to discuss your options and allow us to assist you in bringing your work back to its former glory.

Turn Old Photos into Works of Art

One of our specialties at Four Corners Gallery is turning an old or damaged photo into something even better than the original through photo restoration. We use state-of-the-art digital imaging techniques to restore prints of your cherished photographs to share with friends and family. Only the finest materials are used to ensure their survival — Epson Ultra Chrome pigmented inks that will last 100 years or longer and acid-free archival papers of all kinds. Improvements are be made by enhancing contrast, sharping details, adjusting the color balance, removing blemishes, and repairing torn or missing pieces. Similarly, we can eliminate unwanted details, such as distracting background patterns, to improve the composition of the photo. This photo is of our client’s great-grandfather.photo restoration

As you can see, over time, the page of the photo album that the photo was mounted in had caused the photo to yellow overall and to have some discoloration around the head and shoulders. Left untreated, this photo would eventually begin to disintegrate. We were able to scan this family heirloom into our computer and convert it into a rich black and white print as part of our 1 hour photo restoration service, shown here:

photo restoration

But the client had mentioned how there were other heirloom hand tinted images in her home and she wondered if this new image could match the existing. We were able to create a digital hand tinted look, shown here, as part of a roughly 2 hour photo restoration service:

photo restoration

We have a large selection of tabletop frames that are ready-to-go. This Roma Stone Etched Black frame perfectly complemented the photo:

photo restoration

But, as I mentioned, this client wanted to hang the photo in her home, so we chose a beautiful Larson Juhl Etrusca frame with an antique pewter acid-free mat.

photo restoration

Contact us today for our photo restoration services. Whether you are in the Birmingham, AL area, or anywhere else, we are ready and able to assist you in preserving your memories while creating a new work of art for your home.

Photograph Restoration

                 Photograph Restoration         Photograph Restoration

Photograph Restoration

From hundred year-old family portraits to wedding photos to your favorite snapshot from your last vacation, photographs are one of the best ways to capture memories. Even in the best of conditions photographs can suffer strange fates over time. Many of us remember that shoe box full of polaroids or the album with sticky, glue-lined pages full of faded, yellowing prints. Although we look back fondly on afternoons spent combing over these treasures, as it turns out these are very poor methods for storage. Temperature, humidity, adhesives, dust, insects, rips and tear, and even light itself, can be quite harmful. Since you can’t always predict what might happen preservation of these valuable photos is very important. This is where photograph restoration comes in.

Of all the different things that can happen to your photos, there are two main categories of damage: chemical deterioration and physical deterioration. Chemicals in the print itself undergo reactions over time either with catalysts in the environment or because the elements themselves are inherently unstable. Physical damage is represented by rips, tears, water stains, abrasive marks and stains left behind by insects, just to name a few.

Environmental factors like temperature and humidity fluctuations are problematic and can cause both chemical and physical damage. High humidity can cause problems like silver mirroring, discoloration and warping of the support layers in the photo. Silver mirroring is common in older photos and manifests as a silver/bluish reflective appearance in areas of dark shadows and is usually indicative of improper storage and unchecked humidity. In this process, air pollution and humidity team up (especially at higher temperatures) and oxidize the metallic silver in the emulsion layer of the photograph creating silver ions. These silver ions then migrate to the surface of the image giving the reflective, silvery/blue cast.

Light can also cause big problems with photos. Both natural UV light from the sun and man-made sources like fluorescent lights fade photos. Color photographs consist basically of red, green and blue (RGB) reactive dyes that, when exposed to light, create the final image. Of these three colors, red is usually the more resilient and as a result blue and green fade faster and leave behind the familiar reddish-orange look. Typically, color photos are more susceptible to fading than black and white photos due to the composition of the emulsion layer (the layer that reacts with light and actually creates the image). But fading isn’t dependent on light. Photos can fade in the dark (dark-fading) due to the inherent instability of the materials themselves. Obviously, older photos have had more time to experience these things, but also the way photo paper was made way back when contributes significantly to the likelihood of damage.

Rips and tears are pretty self-explanatory and can be more or less critical depending on where they happen. If a tear goes through some part of the background, or a solid area of color, it’s easier and less time consuming to repair. If, however, the crack, crease or tear runs through an important detail like someone’s face, it’s more difficult to repair. Creases, cracks, tears and water damage are some of the more common issues found in photos and can prove to be more troublesome. On the bright side, once a glaring physical issue like that is resolved, the result is astonishing.

Another challenge with older photos is air pollution. The presence of oxidants and/or sulfiding gases, as well as dust particles and other indoor pollution, can greatly affect your photos. The worst part is that these things can come from oddly surprising places, like plywood, cardboard, paint fumes and cleaning supplies. Of the many problems these factors cause, foxing is one of the more common.

Foxing is the term used to describe the appearance of speckles throughout a photograph; it is typically seen in older, vintage papers. The exact cause of foxing is not well understood but there are many theories. One theory is that it is caused by clusters of microscopic fungus that clump together to form the small dots. Another is oxidation. Much like rusting metal, oxygen mixes with elements in the photo to create brown or reddish (like the color of a fox, hence the name foxing) spots. Still another theory is humidity, which is a broader explanation and usually associated with other factors.

At Four Corners Gallery we use state-of-the-art technology and processes to restore and recover images that would have otherwise been lost for good. In doing so we are able to not only give you quality, archival prints that will long outlast traditional photographic prints, but we retain digitized copies in our records should you want additional prints, different sized photos, or, heaven forbid a replacement because something happened to your newly-restored print. Think of this process as an insurance policy that protects your cherished photos from any eventuality.

Photograph Restoration

Photograph Restoration

Photograph Restoration